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The s - shoulder p, big hair, Thatcherism and loamoney - should have been a fertile subject for a writer of Stephen Poliakoff's repute. Friends and Crocodiles began his ambitious, if rocky, exploration of the fading years of a millennium; its sequel, Gideon's Daughterset in the s against the background of the birth of New Labour, will be screened in the future. Poliakoff's work makes painterly television. Friends and Crocodiles was beautiful to look at: the country estate; the dappled, watery picnics by the river; the sumptuous beds covered in crisp linen and tautly amorous girls; the swan-shaped pedalos navigated by deeply rich drunks against a darkening sky glowing with Chinese lanterns.
|My sexual identity:||Gentleman|
|Body features:||I'm quite athletic|